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Performer: Benjamin Loeb AUERBACH, LERA: Postscriptum (Review by Ken Meltzer) | piano | AUERBACH, LERA: Postscriptum (Review by Ken Meltzer) | piano | AUERBACH, LERA: Postscriptum (Review by Nicole De Sapio) | piano | AUERBACH, LERA: Postscriptum (Review by Colin Clarke) | piano | BARVINSKY, VASYL: Song of Songs (Review by Ken Meltzer) | conductor | BARVINSKY, VASYL: Song of Songs (Review by Ken Meltzer) | conductor | BARVINSKY, VASYL: Song of Songs (Review by Nicole De Sapio) | conductor | BARVINSKY, VASYL: Song of Songs (Review by Colin Clarke) | conductor | BEACH, AMY CHENEY: Jephthah’s Daughter (Review by Ken Meltzer) | conductor | BEACH, AMY CHENEY: Jephthah’s Daughter (Review by Ken Meltzer) | conductor | BEACH, AMY CHENEY: Jephthah’s Daughter (Review by Nicole De Sapio) | conductor | BEACH, AMY CHENEY: Jephthah’s Daughter (Review by Colin Clarke) | conductor | BIZET: Les pêcheurs de perles (Review by Robert Maxham) | piano | BUSONI, FERRUCCIO: Violin Sonatas (Review by Adrian Corleonis) | piano | DVOŘÁK, ANTONIN: Songs My Mother Taught Me (Review by Ken Meltzer) | conductor | DVOŘÁK, ANTONIN: Songs My Mother Taught Me (Review by Ken Meltzer) | conductor | DVOŘÁK, ANTONIN: Songs My Mother Taught Me (Review by Nicole De Sapio) | conductor | DVOŘÁK, ANTONIN: Songs My Mother Taught Me (Review by Colin Clarke) | conductor | GOLIJOV: Ainadamar (Review by Robert Maxham) | piano | HUBAY: Fantaisie brillante on Bizet’s “Carmen” (Review by Robert Maxham) | piano | KORNGOLD, ERICH: Caprice fantastique (arr. Révay) (Review by Robert Maxham) | piano | KORNGOLD, ERICH: Das Wunder der Heliane (Review by Robert Maxham) | piano | KORNGOLD, ERICH: Der Schneemann (Review by Robert Maxham) | piano | KORNGOLD, ERICH: Die tote Stadt (Review by Robert Maxham) | piano | KORNGOLD, ERICH: Much Ado about Nothing (Review by Robert Maxham) | piano | LALO: Le Roi d’Ys (Review by Robert Maxham) | piano | PAGANINI: Introduction and Variations on “Di tanti palpiti” from Rossini’s “Tancredi” (Review by Robert Maxham) | piano | PRUTSMAN: Fantasy Extract on Themes from Richard Strauss’s “Der Rosenkavalier” (Review by Robert Maxham) | piano | RAFF, JOSEPH JOACHIM: Duo on Themes from Wagner’s “Lohengrin” (Review by Robert Maxham) | piano | RAVAEI, KIAN: Morghe Sahar (Bird of Dawn) (Review by Ken Meltzer) | piano | RAVAEI, KIAN: Morghe Sahar (Bird of Dawn) (Review by Ken Meltzer) | piano | RAVAEI, KIAN: Morghe Sahar (Bird of Dawn) (Review by Nicole De Sapio) | piano | RAVAEI, KIAN: Morghe Sahar (Bird of Dawn) (Review by Colin Clarke) | piano | ROSETT: Kaddish (Review by Ken Meltzer) | piano | ROSETT: Kaddish (Review by Ken Meltzer) | piano | ROSETT: Kaddish (Review by Nicole De Sapio) | piano | ROSETT: Kaddish (Review by Colin Clarke) | piano | SHERMAN, KIM D.: Invocation (Review by Ken Meltzer) | conductor | SHERMAN, KIM D.: Invocation (Review by Ken Meltzer) | conductor | SHERMAN, KIM D.: Invocation (Review by Nicole De Sapio) | conductor | SHERMAN, KIM D.: Invocation (Review by Colin Clarke) | conductor | STRAVINSKY, IGOR: Mavra (Review by Robert Maxham) | piano | WEILL, KURT: The Threepenny Opera (Review by Robert Maxham) | piano |
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