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Performer: Carlos Mena ANONYMOUS: Ipse praeibit ante ilium. Joannes est nomen eius. Ex utero senectutis. Iste puer magnus. Inter natos mulierum. Ingresso Zacharia. Benedicamus Domino. Deo gratias (Review by Brian Robins) | countertenor | ANONYMOUS: Obra de segundo tono (Review by Brian Robins) | countertenor | ANONYMOUS: Salve regina (Review by J. F. Weber) | countertenor | AVISON: Concertos after Lessons of Domenico Scarlatti (Review by Bertil van Boer) | countertenor | BACH, JOHANN SEBASTIAN: Cantata No. 198, “Trauer-Ode” (Review by Alan Swanson) | alto | BACH, JOHANN SEBASTIAN: Cantata, BWV 198 (Review by Alan Swanson) | alto | BACH, JOHANN SEBASTIAN: Cantatas Nos. 21 and 76. Ich ruf zu dir, BWV 639 (Review by J. F. Weber) | countertenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by Bertil van Boer) | countertenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Herzlich tut mich verlangen, BWV 727 (Review by Alan Swanson) | alto | BACH, JOHANN SEBASTIAN: Herzlich tut mich verlangen, BWV 727 (Review by Alan Swanson) | alto | BACH, JOHANN SEBASTIAN: Mass in a, BWV 234 (Review by Alan Swanson) | alto | BACH, JOHANN SEBASTIAN: Missa 1733 (Review by James A. Altena) | alto | BACH, JOHANN SEBASTIAN: Missa 1733 (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Missa brevis in a. Prelude and Fugue in b, BWV 544 (Review by Alan Swanson) | alto | BACH, JOHANN SEBASTIAN: Organ Preludes (Review by Bertil van Boer) | countertenor | BACH, JOHANN SEBASTIAN: Prelude and Fugue, BWV 544 (Review by Alan Swanson) | alto | BACH, JOHANN SEBASTIAN: St. John Passion (Review by Jerry Dubins) | alto | BANCHIERI: Dixit Dominus (Review by Brian Robins) | countertenor | BERTALI: Sonata (Review by J. F. Weber) | countertenor | BIZET: Carmen (Review by Ken Meltzer) | double bass | BIZET: Carmen (Review by Ken Meltzer) | double bass | BIZET: Carmen (Review by Colin Clarke) | double bass | BIZET: Carmen (Review by Mark Gabrish Conlan) | double bass | BIZET: Carmen (Review by Dominic Hartley) | double bass | BLOW, JOHN: An Ode on the Death of Mr. Henry Purcell (Review by Michael Ullman) | countertenor | BOVICELLI: Magnificat anima mea (Review by Brian Robins) | countertenor | COZZOLANI: Laudate Dominum omnes gentes (Review by Brian Robins) | countertenor | DELIBES: Lakmé (Review by Ken Meltzer) | double bass | DELIBES: Lakmé (Review by Ken Meltzer) | double bass | DELIBES: Lakmé (Review by Colin Clarke) | double bass | DELIBES: Lakmé (Review by Mark Gabrish Conlan) | double bass | DELIBES: Lakmé (Review by Dominic Hartley) | double bass | DURANTE, FRANCESCO: String Concerto in f (Review by Brian Robins) | alto | ERKOREKA: Cello Concerto, “Ekaitza”. Tres Sonetos de Michelangelo. Piano Concerto, “Piscis” (Review by Phillip Scott) | countertenor | FALCONIERI, ANDREA: Ciaconna a 3 (Review by Brian Robins) | countertenor | FARRÉS: Quizás Quizás (Review by Ken Meltzer) | double bass | FARRÉS: Quizás Quizás (Review by Ken Meltzer) | double bass | FARRÉS: Quizás Quizás (Review by Colin Clarke) | double bass | FARRÉS: Quizás Quizás (Review by Mark Gabrish Conlan) | double bass | FARRÉS: Quizás Quizás (Review by Dominic Hartley) | double bass | FRESCOBALDI: La Bernardinia. Capricci) (Review by Brian Robins) | countertenor | FUX, VINCENZ: Ave Maria (Review by J. F. Weber) | countertenor | GORDON, RICKY IAN: Unforgettable (Review by Ken Meltzer) | double bass | GORDON, RICKY IAN: Unforgettable (Review by Ken Meltzer) | double bass | GORDON, RICKY IAN: Unforgettable (Review by Colin Clarke) | double bass | GORDON, RICKY IAN: Unforgettable (Review by Mark Gabrish Conlan) | double bass | GORDON, RICKY IAN: Unforgettable (Review by Dominic Hartley) | double bass | GRANDI, ALESSANDRO: Confìtebor tibi Domine (Review by Brian Robins) | countertenor | GUERRA: Bachata Rosa (Review by Ken Meltzer) | double bass | GUERRA: Bachata Rosa (Review by Ken Meltzer) | double bass | GUERRA: Bachata Rosa (Review by Colin Clarke) | double bass | GUERRA: Bachata Rosa (Review by Mark Gabrish Conlan) | double bass | GUERRA: Bachata Rosa (Review by Dominic Hartley) | double bass | LECUONA, ERNESTO: Damisela Encantadora (Review by Ken Meltzer) | double bass | LECUONA, ERNESTO: Damisela Encantadora (Review by Ken Meltzer) | double bass | LECUONA, ERNESTO: Damisela Encantadora (Review by Colin Clarke) | double bass | LECUONA, ERNESTO: Damisela Encantadora (Review by Mark Gabrish Conlan) | double bass | LECUONA, ERNESTO: Damisela Encantadora (Review by Dominic Hartley) | double bass | LEGRENZI: Sonata a 6, “La Buscha.“ (Review by Brian Robins) | countertenor | LEOPOLD I: Regina caeli (Review by J. F. Weber) | countertenor | MANDEL, JOHNNY: The Shadow of Your Smile (Review by Ken Meltzer) | double bass | MANDEL, JOHNNY: The Shadow of Your Smile (Review by Ken Meltzer) | double bass | MANDEL, JOHNNY: The Shadow of Your Smile (Review by Colin Clarke) | double bass | MANDEL, JOHNNY: The Shadow of Your Smile (Review by Mark Gabrish Conlan) | double bass | MANDEL, JOHNNY: The Shadow of Your Smile (Review by Dominic Hartley) | double bass | MARINI: Sonata sopra fuggi da lieti amanti (Review by Brian Robins) | countertenor | MERULA, TARQUINIO: Laudare pueri (Review by Brian Robins) | countertenor | MONTEVERDI: Cantate Domino. Ut queant Iaxis (Review by Brian Robins) | countertenor | MOZART: Don Giovanni (Review by Ken Meltzer) | double bass | MOZART: Don Giovanni (Review by Ken Meltzer) | double bass | MOZART: Don Giovanni (Review by Colin Clarke) | double bass | MOZART: Don Giovanni (Review by Mark Gabrish Conlan) | double bass | MOZART: Don Giovanni (Review by Dominic Hartley) | double bass | NEBRA: Bello pastor. Dulzura espiritual (Review by Brian Robins) | countertenor | PERGOLESI: Stabat Mater. Salve Regina (Review by Brian Robins) | alto | PURCELL, HENRY: Here Let My Life; But Ah, I See Eusebia Drown’d in tears; Symphony for the Flutes; Strike the Viol; Her Charming Strains; Chaconne; A Song in the Prophetess; Symphony for the Flutes; No, no Resistance Is but Vain; I Loved Fair Celia; Sweetness of Nature (Review by Michael Ullman) | countertenor | RUIZ: Quien será (Review by Ken Meltzer) | double bass | RUIZ: Quien será (Review by Ken Meltzer) | double bass | RUIZ: Quien será (Review by Colin Clarke) | double bass | RUIZ: Quien será (Review by Mark Gabrish Conlan) | double bass | RUIZ: Quien será (Review by Dominic Hartley) | double bass | SANCES: Stabat mater (Review by J. F. Weber) | countertenor | SÁNCHEZ/FELIZ/GONZALEZ: Un Retoño de Santiago (Review by Ken Meltzer) | double bass | SÁNCHEZ/FELIZ/GONZALEZ: Un Retoño de Santiago (Review by Ken Meltzer) | double bass | SÁNCHEZ/FELIZ/GONZALEZ: Un Retoño de Santiago (Review by Colin Clarke) | double bass | SÁNCHEZ/FELIZ/GONZALEZ: Un Retoño de Santiago (Review by Mark Gabrish Conlan) | double bass | SÁNCHEZ/FELIZ/GONZALEZ: Un Retoño de Santiago (Review by Dominic Hartley) | double bass | SCARLATTI, DOMENICO: Narciso (Review by Bertil van Boer) | countertenor | SCARLATTI, DOMENICO: Salve regina in A (Review by Bertil van Boer) | countertenor | SCARLATTI, DOMENICO: Sinfonia in C. Cantata “Doppo lungo servire” (Review by Bertil van Boer) | countertenor | SCARLATTI, DOMENICO: Sonatas (Review by Bertil van Boer) | countertenor | SCHMELZER, JOHANN HEINRICH: Sonatas (Review by J. F. Weber) | countertenor | TARDITTI: Domine ad adjuvandumme. Beatus vir qui timet Dominum (Review by Brian Robins) | countertenor | TORRES: Vuela abejuela. Panal de amor divino (Review by Brian Robins) | countertenor | VALDERRÁBANO: Silva de sirenas (Review by Brian Robins) | countertenor | VICTORIA, TOMÁS LUIS DE: Vocal and Instrumental Works (Review by J. F. Weber) | countertenor | WECKMANN: Organ preludes (Review by Bertil van Boer) | countertenor | WECKMANN: Sacred Concertos (Review by Bertil van Boer) | countertenor | WELLS/TORMÉ: The Christmas Song (Review by Ken Meltzer) | double bass | WELLS/TORMÉ: The Christmas Song (Review by Ken Meltzer) | double bass | WELLS/TORMÉ: The Christmas Song (Review by Colin Clarke) | double bass | WELLS/TORMÉ: The Christmas Song (Review by Mark Gabrish Conlan) | double bass | WELLS/TORMÉ: The Christmas Song (Review by Dominic Hartley) | double bass | ZELENKA: Gaude laetare ZWV 168. Missa Sanctissimae Trinitatis ZWV 17 (Review by Bertil van Boer) | countertenor | ZIANI: Alma redemptoris mater (Review by J. F. Weber) | countertenor |
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