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Performer: Zachary Wilder CLAUDIO MONTEVERDI, SALOMONE ROSSI: (Review by Barry Brenesal) | tenor | STRAVAGANZA D’AMORE!: (Review by Bertil van Boer) | tenor | BACH, JOHANN SEBASTIAN: Magnificat (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: St John Passion (1739/49 version) (Review by Gavin Dixon) | tenor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by Raymond Tuttle) | tenor | BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by James A. Altena) | tenor | BEACH, AMY CHENEY: Two Songs (Review by Ken Meltzer) | vocal | BERNSTEIN, LEONARD: West Side Story (Review by Ken Meltzer) | vocal | BLITZSTEIN: Stay in My Arms (Review by Ken Meltzer) | vocal | BRUNERIO: Nella musica del mondo (Review by Bertil van Boer) | tenor | CAMPRA: Requiem (Review by Bertil van Boer) | baritone | CASTELLO, DARIO: Sonata quarta (Review by James V. Maiello) | tenor | CAVALLI: L’Egisto (Review by Raymond Tuttle) | Lidio | CAVALLI: L’Ormindo (Review by Bertil van Boer) | tenor | CHAPLIN/CAHN: I Want My Share of Love (Review by Ken Meltzer) | vocal | CHARPENTIER, MARC-ANTOINE: Actéon. Orphée descendant aux enfers. La Pierre Philosophale (Review by Barry Brenesal) | Silphe | CHARPENTIER, MARC-ANTOINE: Actéon. Orphée descendant aux enfers. La Pierre Philosophale (Review by Barry Brenesal) | Silphe | CHARPENTIER, MARC-ANTOINE: La descente d’Orphée. La couronne de fleurs (Review by Barry Brenesal) | Mirtil | CHARPENTIER, MARC-ANTOINE: La descente d’Orphée. La couronne de fleurs (Review by Barry Brenesal) | Tantale | CLERAMBAULT: Pirame et Tisbé. Orphée (Review by Raymond Tuttle) | tenor | CLÉREAMBAULT: Orphée (Review by Bertil van Boer) | tenor | CONFREY: Dizzy Fingers (Review by Ken Meltzer) | vocal | DANDRIEU: La lyre d’Orphée (Review by Bertil van Boer) | tenor | DAVID, FÉLICIEN CÉSAR: Le désert (Review by Jerry Dubins) | tenor | D'INDIA: Langue al vostro languir. Piangono al pianger mio. Dialogo della rosa. Giunta alla tomba (Review by James V. Maiello) | tenor | EISLER: Hollywooder Liederbuch (Review by Ken Meltzer) | vocal | FALCONIERI, ANDREA: Folia echa para mi señora (Review by James V. Maiello) | tenor | FERRARI, BENEDETTO: Cielo sia con tua pace (Review by Bertil van Boer) | tenor | GERSHWIN: Nice Work If You Can Get It (Review by Ken Meltzer) | vocal | HANDEL, GEORGE FRIDERIC: Acis and Galatea. Sarei troppo felice (Review by Barry Brenesal) | Coridon | KLENNER/SWIFT: Just Friends/Can’t We Be Friends (Review by Ken Meltzer) | vocal | KUHNAU: Wie schön leuchtet der Morgenstern (Review by George Chien) | tenor | LECLAIR, JEAN-MARIE: Sonata II (Review by Bertil van Boer) | tenor | LEIGH: Man of La Mancha (Review by Ken Meltzer) | vocal | LULLY: Armide (Review by Bertil van Boer) | Le Chaevalier Danois | LULLY: Psyché (Review by James A. Altena) | Apollon | LULLY: Psyché (Review by James A. Altena) | Satyre | LULLY: Psyché (Review by James A. Altena) | Zéphire | LULLY/DAUVERGNE/BURY/REBEL: Persée (Review by Barry Brenesal) | Euryale | MARAIS: Les voix humaines (Review by Bertil van Boer) | tenor | MONDONVILLE, JEAN-JOSEPH CASSANEA DE: In exitu Israel (Review by Bertil van Boer) | baritone | MONTEVERDI: Il ritorno d’Ulisse in patria (Review by Michelle Dulak Thomson) | Telemaco | MONTEVERDI: Il ritorno d’Ulisse (Review by Bertil van Boer) | tenor | MONTEVERDI: L’Orfeo (Review by J. F. Weber) | First Spirit | MONTEVERDI: L’Orfeo (Review by J. F. Weber) | Shepherd | MONTEVERDI: L’incoronazione di Poppea (Review by Bertil van Boer) | tenor | MONTEVERDI: Pianto della Madonna (Review by Bertil van Boer) | tenor | MOZART: La clemenza di Tito (Review by Ken Meltzer) | vocal | OYSHER: Grine Bleter (Review by Ken Meltzer) | vocal | PIROYE: Le retour d’Eurydice aux Enfers (Review by Bertil van Boer) | tenor | RAMEAU, JEAN-PHILIPPE: In Convertendo Dominus (Review by Bertil van Boer) | baritone | RAMEAU, JEAN-PHILIPPE: L’impatience. Premier livre de pièces de clavecin (Review by Raymond Tuttle) | tenor | RAMEAU, JEAN-PHILIPPE: Orphée (Review by Bertil van Boer) | tenor | RAMEAU, JEAN-PHILIPPE: Pièces de clavecin en concert (Review by Raymond Tuttle) | tenor | RAMEAU, JEAN-PHILIPPE: Platée (Review by Philip Borg-Wheeler) | Mercure | RAMEAU, JEAN-PHILIPPE: Platée (Review by Philip Borg-Wheeler) | Thespis | RAMEAU, JEAN-PHILIPPE: Zaïs (Review by Barry Brenesal) | A Male Sylph | SABBATINI: Folgori Giove (Review by James V. Maiello) | tenor | SACRATI: La finta pazza (Review by Bertil van Boer) | tenor | SCHUBERT: Des Fischers Liebesglück (Review by Ken Meltzer) | vocal | SCHUBERT: Die schöne Müllerin (Review by Ken Meltzer) | vocal | STROZZI: Dialogo in partenza (Review by Bertil van Boer) | tenor | UCCELLINI: Corrente sesta detta La Consetta. Corrente nona detta La Simona. Corrente terza detta L’incostante (Review by Bertil van Boer) | tenor | WARSHASWKSY: Milner’s Treren (Review by Ken Meltzer) | vocal | WEILL, KURT: Happy End (Review by Ken Meltzer) | vocal | WEILL, KURT: Street Scene (Review by Ken Meltzer) | vocal | ZAMPONI, GIOSEFFO: Ulisse all’isola di Circe (Review by Barry Brenesal) | Apollo | ZAMPONI, GIOSEFFO: Ulisse all’isola di Circe (Review by Barry Brenesal) | Mercury |
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